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KING, Vol. 2 — Ho Che Anderson
Ho Che Anderson
Fantagraphics Books, Seattle · 2002
First Edition · First Printing
The Book: First edition, first printing of KING, Volume 2, published by Fantagraphics Books in April 2002. Original glossy illustrated wrappers, printed in Canada. This volume is part of Anderson’s original serialized graphic biography of Martin Luther King Jr., issued before the later complete collected edition. The publication page states “KING Volume 2, April 2002,” and no later-printing or revised-edition statement appears.
Condition: Near Fine. Original glossy illustrated wrappers remain bright with only light surface rubbing and minimal edge wear. Interior exceptionally clean with a tight binding and no reading creases. A small contemporary pencil price notation appears on the title page; no significant ownership markings or structural defects are present.
Story Of The Book
History remembers Martin Luther King Jr. as a monument. Ho Che Anderson wanted readers to encounter the man before the monument hardened.
KING reconstructs King’s life and the Civil Rights Movement through a graphic form that combines biography, historical research, and visual experimentation. Anderson avoids simple hagiography, presenting King as a complicated human being operating within an equally complicated political movement.
The significance of this particular volume also lies in how the work originally reached readers. Anderson’s biography did not first appear as the single collected graphic novel by which many readers would later encounter it. Fantagraphics published KING incrementally in individual volumes, making Volume 2 part of the work’s original serialized publication history. This April 2002 first printing therefore preserves the project while it was still unfolding, before its individual installments were consolidated into a complete edition.
In that original form, KING also belongs to an important period in the development of nonfiction comics. Anderson demonstrated that graphic storytelling could engage seriously with modern political history and biography, contributing to the expansion of comics beyond conventional genre boundaries into documentary and historical narrative.
Why It’s In The Collection
The collection prioritizes original publication-event objects whenever they meaningfully preserve how an important work first entered public circulation. KING, Volume 2 is retained for precisely that reason.
Rather than acquiring only the later complete graphic novel, this first printing preserves one installment of Anderson’s biography in its original serialized form. The distinction matters because the physical object documents the development of the work itself: readers encountered Anderson’s interpretation of King and the Civil Rights Movement progressively, volume by volume, before the project existed as a finished whole.
The volume also strengthens the collection’s representation of graphic literature as a medium of historical witness. Just as other objects in the collection demonstrate how journalism, photography, memoir, fiction, and political argument can challenge established historical narratives, KING demonstrates the capacity of sequential art to reconstruct political history and restore complexity to individuals who can become simplified through public memory.
Collection Categories: Civil Rights · Graphic Literature · Publication-Event Object · Free Expression · Human Rights · Political History
Ho Che Anderson
Fantagraphics Books, Seattle · 2002
First Edition · First Printing
The Book: First edition, first printing of KING, Volume 2, published by Fantagraphics Books in April 2002. Original glossy illustrated wrappers, printed in Canada. This volume is part of Anderson’s original serialized graphic biography of Martin Luther King Jr., issued before the later complete collected edition. The publication page states “KING Volume 2, April 2002,” and no later-printing or revised-edition statement appears.
Condition: Near Fine. Original glossy illustrated wrappers remain bright with only light surface rubbing and minimal edge wear. Interior exceptionally clean with a tight binding and no reading creases. A small contemporary pencil price notation appears on the title page; no significant ownership markings or structural defects are present.
Story Of The Book
History remembers Martin Luther King Jr. as a monument. Ho Che Anderson wanted readers to encounter the man before the monument hardened.
KING reconstructs King’s life and the Civil Rights Movement through a graphic form that combines biography, historical research, and visual experimentation. Anderson avoids simple hagiography, presenting King as a complicated human being operating within an equally complicated political movement.
The significance of this particular volume also lies in how the work originally reached readers. Anderson’s biography did not first appear as the single collected graphic novel by which many readers would later encounter it. Fantagraphics published KING incrementally in individual volumes, making Volume 2 part of the work’s original serialized publication history. This April 2002 first printing therefore preserves the project while it was still unfolding, before its individual installments were consolidated into a complete edition.
In that original form, KING also belongs to an important period in the development of nonfiction comics. Anderson demonstrated that graphic storytelling could engage seriously with modern political history and biography, contributing to the expansion of comics beyond conventional genre boundaries into documentary and historical narrative.
Why It’s In The Collection
The collection prioritizes original publication-event objects whenever they meaningfully preserve how an important work first entered public circulation. KING, Volume 2 is retained for precisely that reason.
Rather than acquiring only the later complete graphic novel, this first printing preserves one installment of Anderson’s biography in its original serialized form. The distinction matters because the physical object documents the development of the work itself: readers encountered Anderson’s interpretation of King and the Civil Rights Movement progressively, volume by volume, before the project existed as a finished whole.
The volume also strengthens the collection’s representation of graphic literature as a medium of historical witness. Just as other objects in the collection demonstrate how journalism, photography, memoir, fiction, and political argument can challenge established historical narratives, KING demonstrates the capacity of sequential art to reconstruct political history and restore complexity to individuals who can become simplified through public memory.
Collection Categories: Civil Rights · Graphic Literature · Publication-Event Object · Free Expression · Human Rights · Political History